Category: Spotlight

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  • Online Performances (NYC and beyond)

    Boston Symphony Orchestra 
    The Boston Symphony is posting audio from its archives daily.

    Carnegie Hall
    Carnegie Hall partners with medici.tv, making live webcasts of select Carnegie Hall concerts available to audiences around the world. Online Broadcasts

    The Berlin Phiharmonic
    Redeem the voucher code BERLINPHIL by 31 March and receive free access to all concerts and films in the Digital Concert Hall.

    Chamber Music Society of Lincoln Center

    Every day at 12:30 PM (ET), CMS will be releasing daily chamber music performances and events, highlighting some of the 1,000+ works in our archive, including performances, lectures, and family programs. Check out their weekly curated playlists and daily releases of archival videos and audio. The Watch & Listen page also houses over a thousand videos of concerts, lectures, and masterclasses, as well as fifty years of audio recordings.

    The Metropolitan Opera
    You can stream handpicked past performances of the Met’s Live in HD series each night right from the organization’s website  metopera.org . The performances will go live at 7:30 p.m. ET and will remain active for 20 hours.

    NPR
    NPR Music is compiling a list of live audio and video streams from around the world, categorized by date and genre, with links to streaming platforms such as Facebook, Instagram and YouTube. Some will require registration or a subscription, but most will be free, often with digital tip jars and opportunities to directly support artists by buying music and merchandise. Online Concerts

    NYPhil Plays On
    A new portal for free digital content by the NY Philharmonic provides hours of digital content, including performance footage both past and new. Keep checking back here for updates.

    San Francisco Symphony
    Keeping Score” project is streaming on the Symphony’s YouTube channel

    Silkroad
    Yo-Yo Ma’s organization is offering a virtual concert series

    The Vienna Staatsoper
    The Vienna State Opera is now opening its livestream archives, so that music lovers all over the world will still be able to enjoy opera and ballet. This online program will follow the originally planned schedule at the house. Streams start at 7 p.m. or 5 p.m. CET respectively (for Die Walküre, Siegfried, Götterdämmerung) and remain available for 24 hours.

    92Y
    Here’s where you can find new livestreamed concerts and events, highlights from the archives, family activities and ways the NYC community can gather together online.

     

  • ALL PROGRAMS ONLINE through Spring 2021

    This 2020-2021 academic year, all lessons and classes will remain virtual for the health and safety of our families, faculty, and staff. 

    Registration is open for our Spring Ready, Set, Play! program. Classes will be offered throughout the week and students will be grouped by age/experience. Late starts will be prorated.

    On Saturdays, Violin/Viola, Flute, and Piano Readiness Classes will be offered.

    Instrumental Lessons and Group classes are offered throughout the week. This year, online group classes have been shortened to 45 minutes for string players, and 30 minutes for piano students. (All flute, guitar, and beginning string groups will also be 30 minutes). We are also offering Suzuki group classes in select levels to string/flute students outside our instrumental program this fall.

    One-on-One Composition Lessons are available in 5 week sessions. Music & Yoga classes are available in 10 week sessions. Music Theory is offered for multiple levels, in 7-week sessions.

    Check out our Online Tips & Resources page to find helpful information regarding online lessons and additional resources to engage with music.

    The best way to reach us while the school is online: silvermusic@silvermusic.org. Please don’t hesitate to contact us if you have any questions! 

    We are thankful that we have music in our lives and in our homes to help keep us present and focused on what is beautiful. 

    Our Fall Semester begins September 12th and ends January 15th. Our Spring Semester begins January 19th and ends June 6th. Our academic calendar is available online here.

  • Faculty Feature: Sarah

    Sarah Bish teaches Suzuki cello group class and private cello lessons at Silver Music. Here is a bit of insight into her early study:

    Age you began studying: 5 years old 

    Why did you choose the cello? My mother is a violin teacher so at first I started playing the violin when I was 3/4 but I have never been a fan of the E string, so I told her that I wanted to play the “jello.” Probably because of the amazing C string and warm sound. The rest is history!

    One memory from your lessons or early study:
    Even in my 30 minute lessons, my teacher, Marianne Wion, would give me a break and I always got a piece of chocolate. She was from Switzerland so it was really good chocolate. 

    Did you always like to practice? If not, how did you, or your parent motivate you to practice? I think that “liking” practicing and feeling successful in a practice session are two different things. There are (and definitely were) days that I don’t want to practice, but I knew that even a short amount of efficient and focused practicing makes a big difference in my cello playing. When I was younger I had sticker charts and getting jelly beans for good practicing. I still use rewards today for myself and my students, although now I prefer Skittles to jelly beans… 

    Did you ever want to quit?
    No, definitely not. There are some days when you realize that what we are doing is really hard and sometimes it would be easier not to play, but whenever I have to go a few days without playing, I miss it. That makes me remember that I could never not play the cello. 

    How did music education affect your life?
    I have had teachers (cello teachers, chamber music coaches, other role models) who showed me that being a musician is so rewarding. I am a very goal-oriented person so working on a piece satisfies my want to learn and improve my technique, and then polishing it and finding the beauty satisfies the artistic side of my personality.

    Do you have a musical role model?
    All of my cello teachers- Madeleine Golz, Merry Peckham, Astrid Schween, and Jonathan Spitz. As a female cellist, Jacqueline Du Pré is the ultimate inspiration!

    Current Favorite Suzuki Piece:
    It’s hard to pick! I love The Two Grenadiers, Danse Rustique, and French Folk Song.

    Any advice for budding string-players?:
    Try to have fun when things get tough! I know practicing can feel like a chore, but when you realize how much you are improving, that is the best feeling in the world. 

    What else do you enjoy doing besides playing cello?
    I love baking! I am not that great at it, but my fiancé doesn’t seem to complain. I also love to watch nature documentaries and doing puzzles to relax. 

  • Westbound Situation 3/4

     

    Great Lakes PAA partners with Silver Music at 45 Tiemann Place, Ground Level, to present Westbound Situation!

    Westbound Situation blends the precision of classical chamber music, the rhythmic drive of bluegrass, and the colorful expression of jazz into a new style of chamber music—Chambergrass. The quartet—comprised of Grant Flick on violin, Matt Davis on banjo, Zach Brown on cello, and Jacob Warren on bass—mixes composition and improvisation seamlessly into their entirely memorized arrangements

    Click Here to purchase tickets!
  • Music for Refugees 3/21-POSTPONED

    Community Concert for a Cause

     
     
     
     
    Music for Refugees
    March 21, 2020
    5:00pm
    Silver Music
    45 Tiemann Place

    $10 suggested donation

    Caprice Corona, soprano
    Blythe Bonnaffons, flute
    Molly Goldman, viola
    Sarah Bish, cello
    Kayla Herrmann, cello
    João Kouyoumdjian, guitar
    Marko Stuparevic, piano


    Join us for an afternoon of classical music for a cause! This spring our program director, Blythe Bonnaffons, will be traveling to northern Greece to teach through the organization, Lifting Hands International, which provides humanitarian aid to refugees. All proceeds from this concert will be donated directly to LHI, supporting the important work they do in Greece and around the world. The concert will feature Silver Music faculty performing works by Hindemith, Liszt, Reinecke, and more!
     

    All ages welcome, RSVPs to silvermusic@silvermusic.org very much appreciated!
     
  • Faculty Feature: Zara

    Zara (Zadie) Lawler teaches Suzuki flute lessons, flute group classes, Flute Readiness, and Ready, Set, Play! at Silver Music.

    Name:
     Zara Lawler, but everyone calls me Zadie

    Age you began studying:

    Why did you choose the flute?  This is kind of a silly story.  I had started on piano when I was in 4th grade.  My father played the piano all the time and I thought it would be really fun, but the teacher and I were not a good match, and the piano and I were not a good match either!  So, the summer after 4th grade, I took drum lessons as our local public school summer music program.  I chose the drum because I loved banging on things in cool patterns and drums looked so exciting.  In reality, I found it to be very boring!  All my friends were playing either flute or clarinet and having such a good time playing tunes and songs…so I thought I would switch AGAIN to either flute or clarinet.  How to decide? In the end, I chose the flute because I thought it had a cooler case.  Lucky for me, it turned out to be the Best Instrument In The World!

    One memory from your lessons or early study:  My first performance was London Bridge is Falling Down, played for my whole elementary school.  Afterwards, I cried because my tone was so airy!  I had only been playing for about a month at that time…  Anyway, I always think of that while working with my own students on making a beautiful sound.

    Did you always like to practice? If not, how did you, or your parent motivate you to practice?  At first, I didn’t really understand what practice was all about…I think mostly because my parents were both musical but I never saw them practice.  My father would just sit down at the piano, and out would come the Maple Leaf Rag, sounding complicated and amazing.  And at first, it didn’t take much work for me to progress on the flute.  But I do remember distinctly learning to practice when I was in 7th grade, and I wanted to audition for a better seat in band.  I had to play a really tricky passage from the theme song to MASH, a TV show Silver Music parents might remember!  It was the first time I ever really had to work out how to get my fingers and my air to work together to be consistently successful.  It was like I could feel the neural pathways forming themselves as I worked out how to play it and then how to play it over and over again the same way.  

    Did you ever want to quit?  I did not ever want to quit but every once in a while I’ve gotten so frustrated I feel like throwing the flute out the window. Thankfully, I have never actually done that!

    Current Favorite Suzuki Piece:  I love the Woodall Serenade in Book 3, and also By the Brook in Book 7.  I’ll be performing both at Flute Day at the Suzuki Music School in Westport CT on March 22:  https://www.suzukischools.org/pillow-concerts

    Any advice for budding flute-players?: Don’t wait until 7th grade to learn how to practice!  

    What else do you enjoy doing besides playing flute?  In addition to being a Suzuki teacher, I’m also a Suzuki parent, and I am having a lot of fun learning about the cello, and learning about what this whole Suzuki triangle thing is like from the parent side. 

    Zadie playing flute in 8th grade!

  • February NYC Music Events

    NY Philharmonic
    Saturday, Feb 1, 2pm
    David Geffen Hall
    This concert begins with Dvorak’s String Sextet and follows with Elgar’s famous Enigma Variations. An inspiring concert for our string players! Tickets start at $34

    The Munchkins Piano Trio
    Saturday, Feb 1, 4pm
    Book Culture LIC
    Have you said hello to the violin, cello or piano recently? Join us for our new, sparkly program for piano trio! Enjoy works from Beethoven, Mendelssohn, Mozart, and more! Tickets start at $35. Kids FREE

    Very Young People’s Concert: Strings
    Sunday, Feb 2, 12:30pm and 3pm
    Merkin Hall
    Mini musicologists can join host Becky Young and members of the New York Philharmonic for a playdate with classical music—the three-concert season begins with an introduction to stringed instruments. Tickets start at $26

    Orchestra of St. Luke’s
    Thursday, Feb 6, 8pm
    Carnegie Hall
    Hear the Orchestra of St. Luke’s perform works by Vivaldi and Handel–there’s something for everyone at this concert for with string, winds, and vocal music featured. Tickets start at $12.50

    Beethoven String Quartets
    Friday, Feb 7, 7:30pm
    Alice Tully Hall
    Throughout the month of February, The Danish String Quartet will be performing Beethoven’s 16 string quartets in the order that Beethoven composed them, between 1798 and 1826. The first concert is February 7th! Tickets start at $15 .

    MSM Pre-College Faculty
    Saturday, Feb 8, 3:30pm
    Manhattan School of Music
    Come hear our flute teacher, Zara Lawler, perform with other Manhattan School of Music faculty. She’ll be performing “By the Brook” which is in Suzuki Book 7! FREE

    Sonatenabend
    Wednesday, Feb 19, 7pm
    Paul Recital Hall
    Pianists from Juilliard’s Collaborative Piano department perform sonata repertoire in partnership with student instrumentalists. FREE

    Mark O’Connor & Maggie O’Connor  PUBLIQuartet
    Monday, February 24, 7:30pm
    Advent Lutheran Church, 2504 Broadway
    Hear fiddle players Mark O’Connor and Maggie O’Connor joined by the PUBLIQuartet. Reserve FREE tickets.

  • January NYC Music Events

    Poetry and Music
    Friday, Jan. 3, 7pm
    The New York Public Library
    This evening of American poetry and Beethoven recordings focuses on the themes of healing, gratitude, and self-discovery, incorporating manuscripts and rare recordings from The New York Public Library’s archival collections. FREE

    Backstage Violin Recital
    Sunday, Jan. 5, 4:30pm
    Silver Music Tiemann Place
    Check out our newly renovated space at 45 Tiemann Place while enjoying works for violin and piano by one of our alumni violin students. The program will be less than an hour and a wonderful opportunity for our violin students to hear another student perform at a high level. FREE

    Meet The Music! 
    Sunday, Jan. 12, 2pm
    Alice Tully Hall
    Beethoven himself will appear in Alice Tully Hall to help a young pianist play his music as he meant it to be played. Tickets start at $10

    APAP Showcase
    Sunday, Jan. 12, 2:20-3:20pm
    Ailey Studio Theatre
    Come see and hear our flute teacher, Zara Lawler, perform in three collaborative performances (The Flute on Its Feet, Lawler + Fadoul and The Fourth Wall) featuring the flute, percussion and movement! Wonderful for our flute students and our RSP kids! FREE

    ChamberFest2020
    Wednesday, Jan. 15, 1pm
    Alice Tully Hall
    Juilliard artists share their talent with the community in these hour-long lunchtime concerts on Wednesday afternoons throughout the season. FREE

    Sonatenabend
    Wednesday, Jan 22, 6pm
    Pianists from Juilliard’s Collaborative Piano department perform sonata repertoire in partnership with student instrumentalists. FREE

    Orpheus Chamber Orchestra
    Saturday, Jan. 25, 7pm
    Orpheus performs the world premiere of Jessie Montgomery and Jannina Norpoth’s arrangement of Tchaikovsky’s The Seasons. This collection of piano miniatures is paired with Vivaldi’s The Four Seasons, performed by violinist Vadim Gluzman. Tickets start at $25

  • Faculty Feature: João

    Joao Kouyoumdjian teaches Suzuki guitar lessons and guitar group class at Silver Music.


    Age you began studying:

    12 years old 

    Why did you choose the guitar? 

    I felt a strong desire to play the music that I enjoyed back then – Rock n’ Roll. At first, that was my intrinsic motivation. I later flirted with Jazz and Bossa Nova before finally learning how to read music and diving into classical music. 

    One memory from your lessons or early study: 

    I remember when my first guitar teacher – the Brazilian guitarist Preto Moreno – had me improvise on a one-octave G major scale. A whole new world of freedom, imagination, beauty and joy opened up for me and I was never the same. I was completely hooked. 

    Did you always like to practice? If not, how did you, or your parent motivate you to practice?

    I always locked myself inside my room and practice for hours, no matter how joyful and painful that was. I always did what I thought had to be done to make music according to certain standards, driven by an internal necessity to transcend reality.

    Although my parents were always supportive, they never played any role on my practicing habits (and remember I started a little “late”, if you take into account the absence of a childhood music education). I was a self-motivated teenager. In the beginning I didn’t have much practice discipline as far as practicing techniques but I acquired it later on, when music studies intensified and got more serious. 

    Did you ever want to quit?

    Never. I thought of professionally becoming a doctor at one point though, like my parents, but music soon took over. Even if I did take another career path, I doubt I would stop practicing, even if as an amateur. 

    How did music education affect your life?

    It gave me a purpose, a meaning. Since it began it has been my reason to live. It made me see long-term goals and has fostered life skills such as patience, determination and courage. 

    Do you have a musical role model?

    My former guitar teacher – the Brazilian guitarist Paulo Martelli – is a great inspiration. I admire his firm convictions on art and life in general (even if I disagree with them), and above all his fearlessness attitude towards music making. 

    Current Favorite Suzuki Piece:

    Lightly Row – That is a magic moment when I can usually get students initiated on phrasing. They start to understand what lies behind and in between notes and make artistic choices such as crescendos, decrescendos, forte, pianos, rallentandos, etc. That’s when music transforms itself into a canvas where they can express themselves. 

    Any advice for budding guitar-players?

    Keep your passion and motivation alive! If you have patience and put in the work, everything eventually falls in place. Stay away from teachers that shut down your enthusiasm. As the great British guitarist Julian Bream once said: “Passion and desire to communicate; that’s the key”

    What else do you enjoy doing besides guitar?

    In my spare time I enjoy reading, singing, playing cards and watching movies. 

  • Flute Storytime 12/16

    Flute Storytime

    On Monday, December 16 from 4:30-5:00pm, join flutist, Zara Lawler, for our next session of Flute Storytime! This week’s session will feature a holiday story with festive music! 

    This event will take place at our 72nd St location, 218 W 72nd St, #2FW. Flute Storytime is geared towards children 3-7 years old. $5 suggested donation.

    RSVPs to silvermusic@silvermusic.org are appreciated